- New ground-breaking work by leading Colombian architect Simon Velez and British landscape architect Todd Longstaffe-Gowan in the wild-flower garden of the Abbazia di San Giorgio Maggiore in Venice - This collateral event at the Venice Biennale from 23 May to 29 November 2020 brings together architecture, design and landscape within the conceptual umbrella of the Majlis, traditionally a place where
Popis produktu
- New ground-breaking work by leading Colombian architect Simon Velez and British landscape architect Todd Longstaffe-Gowan in the wild-flower garden of the Abbazia di San Giorgio Maggiore in Venice - This collateral event at the Venice Biennale from 23 May to 29 November 2020 brings together architecture, design and landscape within the conceptual umbrella of the Majlis, traditionally a place where people come together to interact - It is based on the principles of the Caravane Foundation which aims to restore awareness of the interconnectivity between people, culture and nature through craftsmanship, art, innovation, agriculture and education Before opening its seasonal Art Village in the Qatari Desert, the Caravane Foundation brings the first of its eight principal structures, the Majlis, to the re-designed wild-flower garden of the Abbazia di San Giorgio Maggiore at the 2020 Venice Biennale. Inspired by nomadic architecture, the Majlis is made from the most renewable building material on earth - bamboo - and shrouded in textiles handwoven in the Atlas Mountains of Morocco. Traditionally, a Majlis is the place where people come together to deepen their connection with each other. In this case, it will help to reflect on the Biennale theme How will we live together In recognition of its cultural significance in the Arabian Peninsula, the Majlis is inscribed on UNESCO's 'Representative List of the Intangible Cultural Heritage of Humanity'. This intervention explores the careful sourcing of materials, ethical processes of production and the legacy of the Majlis. The Foundation, with its international array of individuals and in dialogue with the Benedictine community, aims to restore a collective awareness of the sacred interconnectivity between Humans, Culture and Nature through craftsmanship, art, innovation, agriculture and education. A Rhodes Scholar, Thierry Morel is an art historian and curator who graduated from the universities of Paris and Oxford in law a
543543
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